"John Custer: Machine Dreams"
Ross Grady, The Independent

John Custer is a musical genius, a man whose brain can store more music, more accurately, than whole reels of magnetic tape. Since returning home to the triangle in the late '80s, he's also become the most successful record producer in the region, producing major releases by Raleigh's Corrosion Of Conformity and Cry Of Love and wrangling a deal for his own virtually unknown songwriting and production project, Dag.
"Producer John Custer Has Found His Groove"
from an interview in Metal Maniacs

Standing in the control room of Raleigh's JAG Studios, producer John Custer gives a brief lesson in recording technique. The song is a demo of "Sweet Little Lass" by Dag, Custer's handpicked funk band. Custer tinkers with the studio console, demonstrating how he put the song together one piece at a time: basic drum track first followed by percussion, bass, wah-wah pedal guitar, "plinky" guitar (he often uses similar descriptive adjectives), keyboards and vocal.
"Custer's Latest Stand"
by Mark W. Hornburg from Lather magazine Feb. 2003

"Look, before the '80s, it was just [about] pure talent," Custer says matter-of-factly. "Then came MTV, and it was all about how you looked." This rap, coming from one of the most successful producers the Triangle has ever produced, has its ironic edge. For starters, the tall, almost Mephistophelean Custer looks every bit the part of the rock star himself, from the languid posture forced on him by height, to the long hair topped by a cowboy hat, to the open shirt, jewelry and boots. This is not a man you'll spot at the grocery store sporting shorts and flip-flops. You might even call this his rock star drag.
"Raleigh's Wiz Kid"
by Leo Kishore from Raleigh Music.com 2005

Few people can claim to have the broad musical talents that John Custer possesses. From raw technical guitar prowess to genius knob twisting producer skills, from the funkiest R&B sounds to the most raw metal tracks, this guy has a knack for satiating the audio taste buds. His latest effort In the Arms of God with Corrosion of Conformity has already received critical acclaim worldwide, so I jumped at the opportunity to give the man a couple of questions to answer. As I met with him, I was in awe of how down to earth and open he was, and how inspiring it was just to hear him talk of his days. Here is what he had to say about COC, the scene today, and other tidbits of the local and national music scene.

Music produced, written, co-written, engineered and mixed by Custer. Click Here


"What stands out most about Custer is his incredible diversity. He does it all. He's produced super-slick Pop songs that stayed in the top ten charts for months, right along side the biggest Pop songs in the country, but then he's produced totally raw, astonishingly convincing funk and rock tracks. He's produced hardcore metal tracks that set the "heavy" standard for a decade, he's done "low-fi" alternative rock stuff, and then he's done high-polished jazz recordings. He's done folk/acoustic and Alt-country tracks, and then he's done hilarious comedy recordings and children's music that sounds like it was produced in Disney's hey-day. He's done soundtracks, TV commercials, and experimental tracks and in every one of his recordings, Custer makes his artists shine, their strong points are pushed to the forefront. He makes them all sound like they did one amazing take and that was it. He's nailed Southern Rock sensibilities, British rock, Punk rock and Modern rock. He's produced Jam bands, Gospel bands and Hip-Hop, and he's nailed all of them."
Chris Hill
producer and founder, Jam Pain Society

"Both Keenan and Mullin point to producer John Custer as the catalyst for the band's intensity on WISEBLOOD. "The kudos all go to John. He's responsible for making us run through the mill. None of us would have accomplished what we've accomplished without him. He's been a part of our vision for a long time."
Pepper Keenan and Reed Mullin
from corrosivecabaal.com

"John Custer is best known for his production work with Capital City natives Cry of Love, Corrosion Of Conformity and Dag. He wrote the rock radio smash "Bad Thing" with Cry of Love. And his work with COC secured a Grammy nomination. Yet one of the most successful fixtures of the Raleigh rock scene is someone you probably wouldn't know if he stood next to you at the Brewery. And that's the way he likes it."
Brian O'Neill

"We didn't even know what a single was until we worked with Custer"
Steve Levitin and San Kofa, The Applejuice Orchestra

"He's just awesome. I couldn't see doing another record without him."
Woody Weatherman, guitarist, C.O.C.
from an interview in Metal Edge magazine

"Nothing really amazing. Some black artists, some country artists, some disco. Nothing amazing except for the fact that it's all Custer. His music, all original, runs the gamut from roots-style R&B to very uptown, high polish jazz. From eastern-sounding instrumentals, complete with sitars and gong, to borderline offensive funk and rock. And everything, absolutely everything, in between. There are classical tunes there are rap tunes, there are complete orchestral movements. "If he's heard it, he's played it." A friend remarks. "He's like a musical sponge. It's amazing." And it is amazing."
F. Levie, Live! Magazine
from John Custer: Musical Sponge
 

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